In February 2022 Kathleen Rahn, former Director of Kunstverein Hannover, takes on her new post as Director of the Museum Marta Herford. In our conversation Kathleen talks her background, coming from a family with deep interest in music and being taken to exhibitions early on in her life. Kathleen talks the different stages of her career in the arts, how important it was to meet artists during her studies in Kassel, what she learned from them and how she applies these learnings even to her exhibition making today. During her years as Curator and Director she regularly moved to different places, each place needing an adjusted approach to address cultural, architectural, geographical differences and also differences in mentality. She reflects on what is needed to run an art institution today to build a fruitful future and how important it is to include everybody involved – the artists, the team at the Museum and the regional as well as the international public and to still make space to having a private life and a family. Kathleen is deeply interested in communication and wants to bring people together.

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Shownotes:

The new Museum Kathleen will be heading from today on
https://marta-herford.de/
The past seven years she was Director here
https://www.kunstverein-hannover.de/

Some earlier places
https://kunstvereinnuernberg.de/
https://kunstverein-duesseldorf.de/
http://www.neueraachenerkunstverein.de/

Coming from finance and with a deep rooted interest in the arts, politics, sociology, philosophy and the humanities, collector Alain Servais speaks his mind and does not hold back. He talks finding his own voice and becoming really good at something by having the right fractures. He found himself in art because it opened his mind to new dimensions and new kinds of people. Being exposed to other people’s view of the world greatly improved his vision of the world. Art for him is not contemplation or pleasure, art is having to make an effort, to work on oneself and pushing oneself to the limit – to feeling comfortable being uncomfortable. He is especially interested in contemporary art, young art, the art that needs to be preserved today because nobody understands or values it. By collecting it he is preserving a slice of humanity. Art changed his life and for him art is a way of living, not separated from life, politics and the larger society. Recorded September 30, 2021, 57 min., language english

For over 50 years, New York-based artist Judith Bernstein has created expressive drawings and paintings that boldly critique militarism and machismo in a manner that is at once humorous and threatening. Since graduating from Yale in 1967, Bernstein has developed a reputation as one of the most unwaveringly provocative artists of her generation. Steadfast in her cultural, political and social critique she surged into art world prominence in the early 1970s with her monumental charcoal drawings of penis-screw hybrids. In this Episode Judith talks the inspiration of men’s bathrooms, the glass ceiling women had to face in the artworld of the 60s and 70s, the founding of A.I.R. the first all women’s art gallery, her rage at injustice and her partcipating in activist groups like the Guerilla Girls. She talks her family background, her first exhibitions, the long years of being out in the water, her coming back and her upcoming exhibitions and she reveals that the strongest relationship in the world she has is with art.

This is a special Episode produced in collaboration with the Independent Art Fair, New York City. Vito Schnabel, art dealer, gallerist and curator, with gallery branches in New York City and St. Moritz, talks his early years and young adulthood, playing Basketball on the streets of New York City and visiting art exhibitions. He talks his insecurities and challenges and how those helped him to grow. He shares how the dialogue with his sister Lola, who is an artist, and her artist friends shaped his own understanding of art and highlights how important the support of his mother and her belief in him was. He relates how him being open, listening intently and evaluating what happened around him helped him finding his own language in the arts. Early on he started curating and met important artists like Ron Gorchov or the great René Ricard who became friends and mentors and whose expertise and wisdom he was soaking up and valued greatly. Vito talks friendship, his passion for painting and their capacity to be portals also in the 21st Century for anybody who wants to see. This years Independent Art Fair will be the first fair Vito is attending in his home town. There he will show new paintings by extraordinary painter Jorge Galindo in a solo-presentation.

There are as many ways to become a gallery owner as there are galleries. A perfect example of somebody who treaded a completely individual path is my current guest Grant Wahlquist, owner of the eponymous gallery for contemporary art in Portland, Maine since 2017.
Grant has a broad education and studied a variety of topics. He seriously learned to play classical piano for 15 years, holds degrees in Philosophy, Art and Religion and even attended the fuller theological seminary.
Grant is a doctor of law, he was an associate at a law firm and worked as a freelance attorney before he became an art critic and a curatorial assistant at the Orange County Museum of Art, where he worked on exhibitions by artists like i.e. Peter Saul and Mary Heilman.
Grant talks about his studies and inclinations as a young man, the opportunities and challenges of opening a gallery outside of the big commercial hubs, his fascination with mid-career artists and how to combine business with cultural and philosophical integrity.
It’s a pleasure to listen to his reflections and insights about art, the gallery business and living a good life.

In this talk, my guest is Haley Mellin, a painter and land conservationist. Haley founded „Art into Acres“, a non-profit initiative supporting artists and artworks in conserving large-scale landscapes for a positive impact on climate, biodiversity and irreplaceable ecosystems. She also founded conserve.org as a platform for people to be able to permanently conserve a single acre of land for the cost of a dinner out.
Her own painting practice happens „on the road“ while attending to conservation projects. She’s working with institutions like Hauser & Wirth, MOMA PS1, MOCA L.A., the Guggenheim and – very recently – the Kunstmuseum Bonn, to name just a few. A large part of her work is dedicated to supporting artists and smaller organisations like non-profits or galleries with their carbon footprints and how to reduce them.
Being an artist, she is the perfect intermediary between the land conservation organisations and the art world and entertains strong, trustful relations with the artists that donate their artworks and participants from the art community who are learning and looking into their carbon emissions through calculation and reduction approaches.
We discuss her upbringing and love for being outdoors, nurtured by her father, who held the view that „giving back is a large part of being alive.“ We talk about how she started painting and exhibiting at a young age and how art and conservation interlace in her life and practice. She shares her profound knowledge and deep insights into how art and conservation, both meant to last, go hand in hand.
This talk celebrates the 30th Episode of „Voices On Art,“ with Haley Mellin as a special guest and with a small „bonus track“: Haley unexpectedly started asking me questions herself.